HISTORIES AND GENEALOGIES OF BIENNIALS
ALLOWAY Lawrence (1968) The Venice Biennial, 1895-1968: From Salon to Goldfish Bowl, London: Faber & Faber.
ALTSHULER Bruce (1994) The Avant-Garde in Exhibition: New Art in the XXth Century, New York: Harry N. Abrams.
AUERBACH Jeffrey (1999) The Great Exhibition of 1851, A Nation on Display, New Haven, CT: Yale University Press.
BENJAMIN Walter (1935) ‘Grandville or the World Exhibitions’, in: BENJAMIN Walter (1989) Charles Baudlaire. A lyric Poet in the Era of High Capitalism, London: Verso, pp. 165-6.
FERGUSON Bruce, GREENBERG Reesa, NAIRNE Sandy (2006) ‘Mapping International Exhibition’, in: FILIPOVIC Elena, VANDERLINDEN Barbara, (eds), The Manifesta Decade: Debates on Contemporary Art Exhibitions and Biennials in Post-Wall Europe, Cambridge: The MIT Press, pp. 47-56.
GARDNER Anthony, GREEN Charles (2016) Biennials, Triennials, and Documenta: The Exhibitions that Created Contemporary Art, Hoboken: Wiley.
GREENHALGH Paul (1988) Ephemeral Vistas: The Expositions Universelles, Great Exhibitions and World’s Fairs, 1851-1939, Manchester: Manchester University Press.
JONES Caroline (2006) ‘Troubled waters: Caroline A. Jones on globalism and the Venice Biennale’, Artforum, February, pp. 91-92.
JONES Caroline (2017) The Global Work of Art: World’s Fairs, Biennials, and the Aesthetics of Experience, Chicago: University of Chicago Press.
NIEMOJEWSKI Rafal (2010) “Venice or Havana: A Polemic on the Genesis of the Contemporary Biennial.” In Elena Filipovic, Marieke van Hal, Solveig Øvstebø, eds., The Biennial Reader: Anthology of essays on the global phenomena of biennials, Ostfildern: Hatje Cantz Verlag, Cambridge: MIT Press.
PROLIFERATION OF CONTEMPORARY BIENNIALS
BIRNBAUM Daniel (2007), ‘The Biennial is dead, long live the Biennials’, Domus, Issue 904, June 2007, p. 114.
BRENSON Michael (1998) ‘The Curator’s Moment’, Art Journal, vol. 57, no. 4, Winter, pp. 16-27.
BYDLER Charlotte (2004) The Global ArtWorld Inc.: On the globalization of contemporary art, Stockholm: Acta Universitatis Upsaliensis.
CHIKUKWA Raphael (2006) ‘Looking Back: Biennials’, Frieze, Issue 96 (January-February).
ENWEZOR Okwui (2003) ‘Mega-Exhibitions and the Antinomies of a Transnational Global Form’, Manifesta Journal: Journal of Contemporary Curatorship, no. 2, Winter, pp. 6-31.
FILIPOVIC Elena (2006) ‘The Global White Cube’, in: FILIPOVIC Elena, VANDERLINDEN Barbara, (eds), The Manifesta Decade: Debates on Contemporary Art Exhibitions and Biennials in Post-Wall Europe, Cambridge: The MIT Press, pp. 63-84.
FRANCBLIN Catherine (1999) ‘L’escalade des biennales’, BeauxArts Magazine, no. 181, June, p. 34.
GRIFFIN Tim (2003) ‘Global Tendencies: Globalism and Large-Scale Exhibition’, Artforum, no. 42, November, pp. 153—207.
NIEMOJEWSKI Rafal (2018) ‘Contemporary Art Biennials: Decline or Resurgence?’, Cultural Politics, Duke University Press, Volume 14, Issue 1, (Spring).
NIEMOJEWSKI Rafal (2021) Biennials, The Exhibitions We Love to Hate, London: Lund Humphries.
OJEDA Danné & NUEZ Rubén de la (2021): Trazos discontinuos. Antología crítica sobre las bienales de arte en Asia Pacífico. Leiden: Almenara.
VOGEL Sabine B. (2012) Biennials – art on a global scale, Berlin: Springer.
PARTICULAR BIENNIALS/EDITIONS
BUDAK Adam, FRANKE Anselm, PELEG Hila, RAQS Media Collective (eds) (2008) Manifesta 7: Companion, Milano: Silvana Editoriale
BULLOCK Natasha, KEEHAN Ruben (eds) (2006) Zones of contact : 2006 Biennale of Sydney: a critical reader, Sydney: Artspace Visual Arts Centre Ltd.
CAMNITZER Luis (1984) ‘Report from Havana. The First Biennial of Latin American Art’, Art in America (December), p. 43.
CAMNITZER Luis (1991) ‘El Arte, La Politica y el Mal de Ojo’, in : HERRERA YSLA Nelson (ed) (1991) Cuarta Bienal de la Habama 1991 Catalogo, exh. cat., Havana: Centro Wilfredo Lam, pp. 29-31.
CAMNITZER Luis (1994) ‘The V Havana Biennial’, Art Nexus, no. 14 (October-December), pp 48-55.
CASSEL Valerie (2001) ‘The Havana Biennale’, NKA Journal of Contemporary African Art, no. 15 (Fall/Winter), pp. 14-17.
CATTELAN Maurizio (ed) (2001) 6th Caribbean Biennial, exh. cat., Dijon: Les Presses du Réel.
CHRISTOV-BAKARGIEV Carolyn (2008) ‘Revolutions forms that turn: the impulse to revolt’ in CHRISTOV-BAKARGIEV Carolyn (ed.) (2008) 2008 Biennale of Sydney, exhibition catalogue, Woolloomooloo: Biennale of Sydney, pp. 30-33.
Conseil Scientifique de la Biennale des Arts de Dakar (1992) L’évaluation de la première édition de DAK’ART, Dakar : Conseil Scientifique de la Biennale des Arts de Dakar, December.
CYPIANO Fabio (2007) ‘A Void in São Paulo’, Frieze, on-line edition: http://www.frizez.com/comment/article/a_void_in_sao_paulo/ (last accessed 17 July 2009).
DOMELA Paul (ed) (2008) <em>Made Up!: The Liverpool Biennial Reader</em>, Liverpool: Liverpool University Press.
EICHLER Dominic (2008) ‘10th International Istanbul Biennial’, Frieze, issue 112 (January-February 2008).
E-flux (2006) ‘For Immediate Release: A letter from Mai Abu ElDahab, Anton Vidokle and Florian Waldvogel, former curators of Manifesta 6‘, e-flux, 7 June, copy available on-line: http://www.e-flux.com/shows/view/3270 (last accessed 17 July 2009).
Fundação Bienal de São Paulo (2007) Press release issued on 1 December 2007, available on-line: http://bienalsaopaulo.globo.com/english/fundacao/noticias/noticias_evento.asp?IDNoticia=154 (last accessed on 30 July 2009).
Fundação Bienal de São Paulo (2008) Press release issued on 26 April 2008, available on-line: http://www.neme.org/main/822/sao-paolo-28 (last accessed on 30 July 2009).
HILL Joe (2006) ‘A Tale of Two Biennales: Singapore and Shanghai’, Yishu: Journal of Contemporary Chinese Art & Culture, December, pp. 7-17.
JIMENEZ Carlos (2004) ‘The Berlin Biennial: A Model for Anti-biennalization?’, Art Nexus, no. 53, July, p. 35.
NIEMOJEWSKI Rafal (2006) ‘High and Dry. São Paulo’, Artforum Diary, 19 October, http://artforum.com/diary/id=11901
NIEMOJEWSKI Rafal (2007) ‘Green Party. Sharjah’, Artforum Diary, 15 April, http://artforum.com/diary/id=13052
BROADER CONTEXT FOR THE STUDY OF THE PROLIFERATION OF BIENNIALS
BISHOP Claire (2004) ‘Antagonism and Relational Aesthetics’, October, No. 110 (Fall), pp. 51-79.
BARKER Emma (ed) (1999) Contemporary Cultures on Display, New Heaven: Yale University Press.
BELTING Hans (2003) Art history after modernism, Chicago: University of Chicago Press.
BOURRIAUD Nicolas (2002) Relational Aesthetics, Paris: la presses du reel.
CLIFFORD James (1997) Routes: Travel and Translation in the Late Twentieth Century, Cambridge, MA: Harvard University Press.
DAVIS Mike (2008) Evil Paradises: Dreamworlds of Neoliberalism, London and New York: New Press.
SASSEN Saskia (2002) Global Networks, Linked Cities, London: Routledge.
UNSORTED
AUBART Francois (2007) ‘Interview with Tobia Bezzola’, in: DERIEUX Florence (ed) (2007) Harald Szeemann: Individual Methodology, Zurich: JPR Ringier Kunstverlag AG, 2007, pp. 58-62.
AUBART François and PINAROLI Fabien (2007) ‘Interview with Tobia Bezzola’, in: DERIEUX Florence (ed) (2007) Harald Szeemann: Individual Methodology, Zurich: JPR Ringier Kunstverlag AG, 2007, pp.26-31.
BASUALDO Carlos (1999) ‘Launching site – interview with Rosa Martinez’, Artforum, Summer, available on-line: http://findarticles.com/p/articles/mi_m0268/is_10_37/ai_55015163/ (last accessed 19 July 2009).
BAUMAN, Zygmunt (1997) Postmodernity and Its Discontents, New York: New York University Press.
BEZZOLA Tobias, KURZMEYER Roman (eds) (2007) Harald Szeemann: with by through because towards despite Catalogue of all exhibitions 1957-2005, Vienna and New York: Edition Voldemeer, Zürich: Springer, 2007.
BOURDIEU Pierre (1984) Distinction: A Social Critique of the Judgement of Taste, London: Routledge.
BUREN Daniel (1972) ‘Exposition d’une exposition’, in: BUREN Daniel (1991) Les Écrits (1965-1990), Tome I : 1965-1976, Bordeaux: capc Musée d’art contemporain, pp. 261-262.
BUTLER Judith (2004) Undoing gender, London: Routledge.
BUTLER Judith, LACLAU Ernesto, ŽIŽEK Slavoj (2000) Contingency, hegemony, universality: contemporary dialogues on the left, London: Verso.
Centro Wilfredo Lam (1984) Regulation for Participation, a tri-lingual brochure published and distributed during the first edition of the Havana Biennial, Havana: Centro Wilfredo Lam.
CHASTANET François (2005) ‘The architecture of São Paulo, Brazil, is covered by a unique form of calligraphic graffiti’, Eye – The International Review of Graphic Design, issue 56 (Summer), pp. 72-73.
CHIU Melissa (2008) ‘Asian Contemporary Art: An Introduction’, Oxford Art Online, http://www.oxfordartonline.com/public/page/asiancontintro (last assessed 17 July 2009).
Conference Da est a ouest da nord a sud – Sguardo sulle Biennali del futuro – Creativita giovane a confronto, 6 May 2005, MiArt Fairgrounds, Milan.
Conference Where Art Worlds Meet: Multiple Modernities and the Global Salon, 9-12 December 2005, Istituto Veneto di Scienze, Lettere ed Arti, Venice.
DANTO Arthur Coleman (1998) After the End of Art: Contemporary Art and the Pale of History, collection of 1995 Mellon Lectures on the Fine Arts, Princeton: Princeton University Press.
DAVID Catherine (1997) ‘Introduction’, in: DAVID Catherine, SZTULMAN Paul (eds) (1997) Documenta X, Short Guide, Kassel: Documenta GmbH, p. 4.
DE KOCK Leon (1992). ‘Interview With Gayatri Chakravorty Spivak: New Nation Writers Conference in South Africa’, A Review of International English Literature. Issue 23(3), pp. 29-47.
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DOUGLAS Mary (1986) How Institutions Think, New York: Syracuse University Press.
EDWARDS Steve (2001) ‘The Accumulation of knowledge or, William Whewell’s eye’, in: PURBRICK Louise (ed) (2001) The Great Exhibition of 1851: New interdisciplinary essays, Manchester: Manchester university Press, pp. 26-52.
EKEBERG Jonas (ed.) (2003) New Institutionalism, Versted#1, Oslo: Office for Contemporary Art, Norway.
ELDAHAB Mai Abu et al. (2006) Notes for an Art School, Amsterdam: International Foundation Manifesta.
ENWEZOR Okwui et al. (2002a) Democracy Unrealized: Documenta 11, Platform 1; Experiments with Truth: Transitional Justice and the Process of Truth and Reconciliation, Ostfieldern-Ruit: Hatje Cantz.
ENWEZOR Okwui et al. (2002b) Documenta 11, Platform 2; Créolité and Creolization, Ostfieldern-Ruit: Hatje Cantz.
ENWEZOR Okwui et al. (2002c) Documenta 11, Platform 3; Under Siege, Four African Cities: Freetown, Johannesburg, Kinshasa, Lagos, Ostfieldern-Ruit: Hatje Cantz.
ENWEZOR Okwui et al. (2002d) Documenta 11, Platform 4, Ostfieldern-Ruit: Hatje Cantz.
ENWEZOR Okwui et al. (2002e) Documenta 11, Platform 5: Exhibition, exh. cat., Ostfieldern-Ruit: Hatje Cantz.
ESCHE Charles (2007) ‘Looking Back: Biennials / Survey Shows’, Frieze, issue 104 (January-February).
ESCHE Charles, KORTUN Vasif (eds) (2005) Art, City and Politics in an Expanding World: Writings from the 9th International Istanbul Biennial, Istanbul: Istanbul Foundation for Culture and Arts/IKSV.
FERGUSON Bruce, GREENBERG Reesa, NAIRNE Sandy (eds) (1996) Thinking About Exhibitions, London: Routledge.
FIDELIS Gaudêncio (2005) A Concise History of Mercosul Biennial, Porto Alegre: Fundação Bienal de Artes Visuais do Mercosul.
FIETZEK Gerti, STEMMRICH Gregor (eds) (2004) Having Been Said: Writings & Interviews of Lawrence Weiner 1968-2003, Ostfildern-Ruit: Hatje Cantz Verlag.
FILIPOVIC Elena, NIEMOJEWSKI Rafal (2006) ‘One Day Every Wall Will Fall: Select Chronology of Art and Politics after 1989’, in: FILIPOVIC Elena, VANDERLINDEN Barbara, (eds), The Manifesta Decade: Debates on Contemporary Art Exhibitions and Biennials in Post-Wall Europe, Cambridge: The MIT Press, pp. 20-46.
FISHER Jean, MOSQUERA Gerardo (eds) (2004) Over Here: International Perspectives on Art and Culture, Cambridge: MIT Press.
FOSTER Hal (1987) Discussions in Contemporary Culture, New York: Dia Art Foundation, Seattle: Bay Press.
FOSTER Hal (1996), Return of the Real, Cambridge, MA: The MIT Press.
FOSTER Hal (2003) ‘Arty Party’, London Review of Books, vol. 25, no. 23, 4 December, p. 6.
FOSTER Hal (ed) (1982) The Anti-Aesthetic: Essays on Postmodern Culture, Port Townsend, WA: Bay Press.
FOUCAULT Michel (1967) ‘Different Spaces’, trans. R. Hurley, in: FOUCAULT Michel (1998), Essential Works of Foucault 1954-1984, Vol. 2, London: Penguin, pp. 175-85.
FOUCAULT Michel (2002) The Archaeology of Knowledge, trans. A.M. Sheridan Smith, London: Routledge, pp. 7-10.
FRASER Andrea (2005) ‘From the Critique of Institutions to an Institution of Critique’, Artforum, vol. XLIV, issue no. 1 (September), pp. 278–283.
Frieze Foundation (2003) The International Curator, panel discussion between Massimiliano Gioni, Laura Hoptman, Ralph Rugoff and Daniel Birnbaum recorded on 18 October 2003, during the first edition of the Frieze Art Fair, London. Recording available on-line: http://www.friezefoundation.org/talks/category/year_2003/ (last accessed 17 July 2009).
GIBSON William (1993) ‘Disneyland with the Death Penalty’, Wired, September/October.
GIELEN Pascal (2008) ‘The Biennale: A Post-Institution for Immaterial Labour’, Open Cahier on Art and the Public Domain, vol. 8, no. 16, Rotterdam: NAi Publishers, pp. 8-17.
GLASER Martin (2000) ‘Interview with René Block’, in: BLOCK René (ed) (2000) Das Leid von der Erde / Songs of the Earth, exh. cat., Kassel: documenta and Museum Fridericianum Veranstaltungs-GmbH, pp. 4-6.
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GRAF Urs and Rös (1970) ‘The Agency for Intellectual Guest Labour, Interview with Harald Szeemann’, in: DERIEUX Florence (ed) (2007) Harald Szeemann: Individual Methodology, Zurich: JPR Ringier Kunstverlag AG, 2007, p.83-90.
GRANATH Olle (2008) ‘With Andy Warhol 1968’, in: MEYER-HERMANN Eva (ed) (2008) Andy Warhol: Other Voices, Other Rooms, exh. Cat., Rotterdam: NAi Publishers, London: Hayward Publishing, pp.10-13.
HARDING Anna (ed) (1997) Curating the Contemporary Art Museum and Beyond, London: Academy Editions.
HARDT Michael (2009) ‘Production and Distribution of the Common: A Few Questions for the Artist’, Open: Cahier on Art and the Public Domain, vol. 8, no. 16, pp. 20-31.
HARDT Michael, NEGRI Antonio (2000) Empire, Cambridge, MA: Harvard University Press.
HARDT Michael, SMITH Caleb, MINARDI Enrico (2004) ‘The Collaborator and the Multitude: An Interview with Michael Hardt’, Minnesota Review, Issue 61 (Spring 2004), pp. 63-77.
HARRIS Jonathan (2001) The New Art History: A Critical Introduction, London: Routeledge.
HARVEY David (2001) Spaces of Capital, New York: Routledge.
HEGEWISCH Katharina, KLUSER Bern (eds) (1988) L’Art de L’Exposition, Paris: Editions du Regard.
HERKENHOFF Paulo (1998) ‘To come and go’ in: Roteiros. Roteiros. Roteiros. Roteiros. Roteiros. Roteiros. Roteiros. XXIV Bienal de São Paulo, exh. cat., São Paulo: Fundacao Bienal.
HIGGINS Charlotte (2007) ‘Painting by Numbers’, The Guardian, 28 June,
HILLER Susan, MARTIN Sarah (eds) (2000-2003) The Producers: Contemporary Curators in Conversation, volumes 1-4, Gateshead: Baltic.
HOFFMANN Jens (2009) ‘28th São Paulo Biennial’, Frieze, issue 120 (January-February), pp. 144-145.
HOLERT Tom (2009) ‘Art in the Knowledge-based Polis’, e-flux journal, February, http://www.e-flux.com/journal/view/40 (last accessed 17 July 2009).
HUYSSEN Andreas (1986) After the Great Divide: Modernism, Mass Culture, Postmodernism, Bloomington: Indiana University Press.
JAMES Nicholas Philip (1997) ‘Guide to the Arts: Documenta X, A Preview’, Cv/Visual Art Research, vol. 87, London: Cv Publications, p. 8.
JAMESON Frederic (1984) ‘Postmodernism, or the Cultural Logic of Late Capitalism’, New Left Review, no. 146, July-August, pp. 59-92.
JAMESON Frederic (1991) Postmodernism, or, The Cultural Logic of Late Capitalism, London: Verso.
KASTNER Jeffrey (2005) ‘Two for the Show’, Artforum, vol. 43, no. 9 (May), p. 141.
KILDAL Nanna, ‘The Changing Normative Foundations of Nordic Welfare State Institutions’, in: MONTMANN Nina (2006) Art And Its Institutions: Current Conflicts, Critique and Collaborations, London: Black Dog Publishing, pp. 18-27.
KLEIN Naomi (2000) No logo, first published in 1999, London: Flamingo.
KOCUR Zoya, LEUNG Simon (eds) (2004) Theory in Contemporary Art since 1985, New York: Wiley-Blackwell
KOLBERT Elizabeth (2006) Field Notes from a Catastrophe: Man, Nature, and Climate Change, New York: Bloomsbury.
KOOLHAAS Rem (1995) ‘Singapore: portrait of a Potemkin metropolis; Songlines … or thirty years of tabula rasa’, in: SIGLER Jennifer (ed.) Small, medium, large, extra-large, New York: Monacelli Press, pp. 1008-1087.
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