Seismopolite No 6: The future of the art Biennial.
The research for this article was supported by the Australian Research Council, as part of the authors’ Discovery Project grant (2011–2014) to examine postwar biennials, triennials and documentas.
Biennials of the South on the Edges of the Global
Authors: Anthony Gardner and Charles Green.
Published in: Third Text. Volume 27, Issue 4, 2013. Special Issue: Global Occupations of Art.
The question this essay asks is how exhibition histories of contemporary art shift when seen not from the perpetually insistent demands of the north, but from the viewpoints and aspirations of the South. What might a Southern perspective of biennials look like?
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Under the title “Future(s) of Cohabitation,” MJ#17 looks beyond geographical boundaries, administrative borders and fixed identities.
Out now and for free: Manifesta Journal 17.
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Sho Shigematsu and Christy Cheng recently conducted a study of perennials at Columbia University Graduate School of Architecture, Planning, and Preservation through a graduate level architecture studio. The work that the students produced is a comprehensive and interesting study of the history of perennials and several interesting proposals for how the perennial may evolve.
A new study of perennials at Columbia University.
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Charta, a publishing company focused on contemporary art, has donated its entire catalogue of 922 books to the Biennale Library.
Library of the Venice Biennale receives donation.
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P.3READS, a Prospect New Orleans Public Program, is inspired by Artistic Director Franklin Sirmans’ vision for Prospect.3 (P.3), in which the novel The Moviegoer by Walker Percy, among other books, has played a central role.
Prospect New Orleans: P.3READS.
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Performa 11: Staging Ideas is the fourth volume in an acclaimed series that draws content and inspiration from the world-renowned Performa biennials.
Now available for pre-order: Performa 11 – Staging Ideas.
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The international exhibition Re: visited, organised by the LCCA, questions the current role of art biennials.
An exhibition questioning the role of art biennials.
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Kochi-Muziris Biennale 2012 is the world’s first biennale to be archived and digitized by Google Art Project. The Google Art Project has archived the entire Biennale and is open to anyone with an internet connection.
KMB is the first Biennale on Google Art Project.
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9th Kaunas Biennial UNITEXT : Read the catalogue online on ISSUU.
9th Kaunas Biennial 2013: Read the Catalogue Online.
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The film recalls editions of the event, important movements in the arts and relates Brazilian artists featured in the exhibition curated by Paulo Venancio Filho, in 2013.
30 x Bienal – Transformations in Brazilian Art from the 1st to 30th Edition.
The history of art exhibitions is an essential tool for understanding the history of art. The case of Bienal de São Paulo is especially singular, being that it was the first art biennial in a peripheral country in the southern hemisphere, where it provoked a unique local dynamic from 1951 on.
The exhibition “30 x Bienal – Transformations in Brazilian Art from the 1st to 30th Edition”, which took place from September 21 through December 8, 2013 in São Paulo, sought to verify the nexuses, contexts, relationships and processes that the artists and their works established as determining moments in the history of Bienal, and of Brazilian and international arts.
The Bienal de São Paulo Foundation in collaboration with Mira Filmes now made a documentary film regarding the last 60 years of Brazilian art, in the context of this exhibition. The film recalls editions of the event, important movements in the arts and relates Brazilian artists featured in the exhibition curated by Paulo Venancio Filho, in 2013.
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Manifesta has digitalised all editions of the Manifesta Biennial Catalogues since 1996 and the Manifesta Journals no. 1-12 in collaboration with the City Library of the University of Jena, Germany.
Manifesta Catalogues and Journal editions now online.
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